Видео

Good one, thank you

Wait. Is that cry technique?

about the nose exercise, it lowers my volume, there for first harmony and second get lower, and the third become the dominante, but if ill try to push for higher volume im in belting again

yes man! this R exercise got me in a mix configuration for the whole second halp 4th octave, we got it!

interestingly, my natural tendency was to keep my mouth static and not so open, i guess because of low confidence. but many of the vocal coaches instruct people to open their mouth vertically or smile, so i followed it, and it tend to work in allowing me to go higher with less strain.... now you advice me to go back to neutral :x this hold the sternum trick is amazing! i got from G2 to C2 only by holding the sternum down! where can i see more about how it works?

i dont understand man, when you direct your voice to your uppercheeks your larynx stops moving? at all? something very strange happens to me when i try this thing. I'm a baritone, and i can use head voice near to C6 in good days, but definitely above C5 in any day. when i do what you suggested the larynx moves but more slowly, and i just cant go into head voice at all, i got near c5 and my voice get choked. i need to release the configuration, reset it to what i know, and then i can get into head again, and by that my larynx hits the sky. maybe its not a true head voice what i got? maybe its what people calls "flageolet". is this tip will work also for flageolet?

omg this lesson made my throat hurt so bad, i was told you shouldnt be so loud with your head voice, how can you sing so loud?!

a very good exercise, it immidietly increase breath support and closure to all register, i hope someday ill have those without priming myself with this method. one think i would like to add, this built pressure can be dangerous in head voice, it need to be modified before you switch to voice produce because head voice not build to deal with so much pressure and it can get hurt.

if a creating vibrations in different places of the head called placementing, then that comes naturally to me (at least one skill that comes easy, so I'm not a total failure).. the problem there is, although that according to the spectrogram i get amazing number of over tones, which should be a good sign, in practice i seem to perceive my voice as nasal, arrogont, unnartural, made of, and it feels embarrassing to sing like that.. althought i noticed that most known singers use it all the time. so maybe my work here is more psychological? or maybe in my case it comes less pretty to "sing from the mask"? i dont know.

great, if i focus on chords closure i get spectrogram configurations that fit to mix between to a very small range before C5, in C5 it turns to head. the question is how to make this closure a easy habit that works on its on whenever you want it to without thinking, and most importantly, how to overcome the difficulty and strain happens when you use closure fitted to mix in your head voice. you need to immidietly tune down when you enter to head, otherwise i get air and pain instead of steady sound

It does make me produce different kind of vocal quality, it is a high easy produced voice, sounds like a voice coming from somewhere in the back, and all chest resonance is gone. In spectro it looks like soft belting

Words of wisdom in the end 🙏🏻 God bless you

I think I’ve been practising with quiet mixed voice almost for a year now, because it is always connected. This video made me realise it. It has been a game changer.

That's not what everybody does in high notes? I can't at all project high head notes to my forehead, it makes the hard to a point they crack with too much volume

i really like imagery instructions, it works for me wonderfully so keep bringing instructional vids like that <3. what i noticed that if i imagine I'm directing it only upwards, the first harmonic takes control and the overall voice has less force\becomes more quieter. if I'm directing it downwards and upwards i get the "open throat" sensation just like when I'm trying to imitate opera singers. it keeps the voice around the same volume but spreading the force across all overtones, but the voice color changes to a more deep, like it comes more from the back of the head, and in most music genres it doesn't really fits. another thing, because this is not about mix voice but only for strain less, if someone can only belt, this tip will give him a bit more of high less strainfull notes, until he will hit the line when it need to flip to head, near this area the strain will come back, even if you try to stick with this intruction.

U creats a "mix configuration", i guess thats because the vowel mutes the second harmonic. but because the third stays around where he would in a different vowel, when i switch to open vowel the second harmonic takes control once more... i didn't really understand what was the goal of this exercise :\

i like the semi occlusion for training more force insertion to the voice by pressure, thats nice. interestingly, when i do the exercise you suggested with "MUM" + semi, i get stronger force in second to fourth harmonics, where the fourth overcome the third, while the fourth getting close to the second but still cant pass it. interesting... the third seems to be hard to manipulate, it seems like its getting stronger with all the others linearly, while the more upper overtones are easier to manipulate by vocal placements. that's ok, if someone had a golden trick for mix voice he would win a youtube award, its not that mix voice got a name of being a difficult skill for nothing, no one up to now managed to provide a straight forward foolproof tool that gets most people to be able to produce it. is it possible that some people just cant really produce it?

wow great idea, unfurtonatly you still sound loud even with it. it could help me a ton if ill manage to find something better for me. does such device have a proffesional name i could search at online shops?

about tongue position, i feel it promotes extra buzz sensation on the top of my "mask" and i can observe in the spectrogram it adds more overtones, no effects on the first harmonics though

wow im so impressed. i manipulated the mouth sensation and i saw immidate change in the strength of the second harmonic strength in head, and the third in chest + one more overtone :o i tried to use the same engagement in both cases and repeated it and the effect was consistent

i dont think im tend to imitate someone, maybe a feel or effects, especially when it comes to rock where they doing the sharp power notes. but ill tell you what, naturally i speak with very loose closure, but in singing I'm demanded to increase it, and when i engage my chords my voice turns to more "stressed sounding" emotional wise, dramatic, operaic, and of course it doesnt sound like anything similar to my speaking voice, nor convincing anyone emotionally. its like a psychological perception takes control and dictates my singing by how i "suppose" to sound like given this kind of engagement at the vocal chords and emotions i feel when hearing that song.

i didnt know about the semi occluded exercise, it worked like magic, i did it once and the vibrato came out steady out of a sudden. about muscle tensions, as i replied in previous video, this thumbs thing is only a diagnostic method, it isnt a treatment\fixing tool. i watched many vocal coaching videos i youtube, and i can say no one really solve this problem in any video, maybe it doesnt have a methodical fixing approach... if you will come with one i think you will be the first.

"if you can do it, you are on the way", if i could do it i wouldnt watch a how to video :') i get this muscle work when i go to head, near to c5, no matter if in legato or stecato (male baritone here). about opening the mounth, i noticed it makes the finger move further from the tongue muscles, falsly giving the impression the muscle work less, but thats an illusion.

another thing about this "trick", i see that when i use this puffy cheeks method, I'm much in my throat, and when i extract vocals from there i can get only 2 harmonics, in order to get all resonance i need to get it up to my nose and forehead, and this pressure in the throat doesn't promote that. if i do it with the spectrogram, i see that I'm in two harmonics and then shifting it up to get the others, but I'm not in the same configuration as i was anymore

im hot on this spectrogram thing right now, im doing the puffy cheeks, up to G4 where my mix should be (male baritone), singing roxanne, and it falls into belting by the spectrogram, higher not have third harmony stronger (ROX) and then the lower note (ANNE) automatically bring the energy back and only second harmony left as the formant. is it a must to shout everytime you practice mix? is it a shouty kind of voice? everyone i see teaching it always shout all the time

you sing like a crap

But what if my voice cracks on that high g??

Another question since you are so kind, knowledgeable and responsive. I see that when I use full closure of my voice I can observe steady over tones all across and up to 8000hz in chest and up to 10000hz when trying with the starting notes of my head voice. Is it what expected from male bariton? Does it have any meanings/applications? I feel i was avoiding this kind of voice all my life because it vibrates unpleasantly in my forehead/sinuses and ring/buzz harshly in my ears, although in records it sounds nice and somewhat impressive/operatic.

‏‪16:38‬‏ I feel this sensation on my head when i sing with vocal chords closure, even in chest, it is very unpleasant feeling, it hurts my ears, all my head buzzing, and i think this is why naturally i never used it, i know it sounds better, but what can i do about the physical bad sensation?

Question, what happens when you go to the top of you mix range? I guess we expecting some transition stated before we get to head configuration whete the first harmony is the the formant...

‏‪6:43‬‏ But at the start of the video you said that if there are two picks before the first highest it is open timbre, which means chest..? I feel like I cant get what you saying, do you have some more basic video to watch in order to understand this video?

Merci❤ enseignemoi la deuxieme voi stp

Thanks for posting this! Been very helpful with addressing chronic tension in the tongue and throat

Im still really struggling with it but I don’t know what I’m doing wrong

Talent is not overrated - it just takes hard work.

I found my mix voice thank you tyler

My vocal coach I naturally had amazing control of my mix voice; i’m 14 and he told me he’s never seen somebody my age hit it this well with everything going on 😂 thanks for this! now I have a better understanding of it:)

I can reach all range voices

Where is pharyngeal ? Is it at the back of our mouth Or above the hard palate behind the nose ?

what does “singing in the passagio” even mean..? singing in the middle of your range has by definition nothing to do with passagio.. so confused

when you talk about the passagio are you refferring to the mixed range or the belty tenor opera sound. my voice coach explains passagio as like a way to belt really high notes easier but i feel like youre just teqching mixed range. sorry for the confusion

How loud are you singing? These arent super resonant right? Should we rely a lot on the mic?

Funny thing: If I try to “mix” chest and head voice - I get both audible (chest and falsetto simultaneously, like two voices in unison)… 🙁

its different for females...its sounds very squeaky and constricted when i do it

Super easy and useful. Probably only when you know about supporting and vocal placement for these notes.

Hello Tyler, I'm making some progress with my mix voice now, but can you briefly try to explain how to get some compression to the voice, as one goes higher (tonally)? It's like the air kind of escapes unhindered - hope it makes sense - cheers from Denmark

You are one of the best vocal teacher i know, go a head with your work. Thank you. I follow you from cameroon. I'm a francophone you willl forgive my english

Is this mix voice Bruno mar using in his song “when I was your man”?